Oscar & BAFTA Winner
David
Malinowski
Special effects makeup artist & prosthetics designer. Thirty years turning actors into icons — from Winston Churchill to the screen's most unforgettable faces.

The Story
From a fascination at the kitchen table to the Dolby Theatre
I never set out to win an Oscar. I just couldn't leave the materials alone.
As a kid I was always messing around at home with latex and anything else I could get my hands on. My dad was in the fire service & took part in medical training days — I still remember him coming home with a fake fractured femur strapped to his leg. It was so convincing. I was hooked from that moment.
I assumed you had to be in America to do this for a living — until I drove past New College Stamford with my dad, saw the makeup course in the window, and thought: that's exactly what I want to do. I signed up, bought the kit, and that was the beginning of everything.
From there I spent ten years at the world-famous Madame Tussauds in London — intense training in hair work & painting, travelling the world to meet the very people whose faces I was recreating in wax. Then film called, and I never looked back.
“It's the best job I've done. I'm so pleased it's getting the recognition it deserves.”
30
Years in the industry
57+
Film & TV credits
1
Academy Award
6+
Major awards won
Darkest Hour
The transformation that changed everything
In 2018 I won the Academy Award & the BAFTA for transforming Gary Oldman into Sir Winston Churchill in Darkest Hour — work I shared with the extraordinary Kazuhiro Tsuji & Lucy Sibbick.
Every shooting day started in the small hours. Around seventy individual silicone pieces, applied by hand & blended so seamlessly that when Gary moved, it all read as his own skin. Then carefully removed, cleaned & repainted — ready to do it all over again the next morning. We applied the full makeup 63 times over the course of the shoot.

With Kazuhiro Tsuji & Lucy Sibbick.
Selected Work
Three decades on the world's biggest productions
Recognition

The awards
Passing It On
From the screen to your workbench
After thirty years at the top of the industry, I'm sharing the techniques behind that work — the same silicone painting methods I've used on the films you've seen, taught properly, from the ground up.
EXPLORE THE MASTERCLASS